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Don't Stop 'til you get enough
This Is It documents some of Michael Jackson’s final stage performances.

 

When I told my father that I’d be reviewing This Is It, he said, “Michael Jackson was such a perfectionist — would he want rehearsals to be released to the public?” and “Aren’t those who stand to benefit from this movie the same people who exploited him his whole life?” This coming from a 60-something white man, mind you, no particular fan of MJ (though his kids sure were, wearing out our vinyl copy of Thriller on a Crayola-brand record player, singing every word to every song while trying in vain to moonwalk). This spoken by the killjoy who, 27 years ago, flatly refused to drive us to Houston on a school night to see the Victory tour. My point is, even my Dad is schooled in the Michael Jackson liturgy, his dual narrative of genius and tragedy, and feels a measure of investment in it; MJ’s that deep.

I arrived a little late for seating at the press screening, not knowing that it served also as the sneak-preview screening and the free-passes screening. I should’ve guessed — what did I think, that it’d just be six or seven grouchy journos slumped in a dinky side auditorium? Hell, no. An enormous auditorium strained to contain hundreds: Well-heeled middle-aged couples holding hands next to groups of office ladies already misty-eyed abutting throngs of ’80s-clad teenage hipsters flanking leather daddies sitting next to young families with small children, the full spectrum of racial possibility — hell, nearly the whole species — representin’. I may or may not have seen two nuns in habits. I think there was a sherpa. I did for sure see at least 15 people — not always who you’d think, either — sporting single sequinned gloves. Gospel truth: The only reason I got a seat was that an obliging mom scooped her toddler onto her lap and smiled at me.

Frankly, the critical reception of This Is It is absolutely immaterial to its success, to either its status as profit engine (it’s already raked in more than $100 million worldwide in its first week), or its primacy as a pop-culture phenomenon. The importance of This Is It stands contingent on film-writing about as much as the suction power of a black hole depends on that English guy from the Dyson vacuum-cleaner commercials.

This occurred to me as the crowd erupted into spontaneous, sustained, and openhearted applause with the very first frame of the film. For 112 mesmerizing minutes, the crowd engaged with This Is It as a live performance. Five-year-olds boogied in the aisles to “Wanna Be Startin’ Somethin’,” grownups gasped and giggled at the new “Thriller” opening video montage, and met the final notes of the keenly elegiac “Human Nature” — Michael’s delicate, scale-tripping, bell-clear cry of “why?”— with a collective murmur of tenderness and sorrow. When Michael said “God bless you” to his dancers, several audience members cried, “God bless you too, Michael!” And every time MJ said “I love you” to somebody — to the enthralled young dancers watching him belt out “The Way You Make Me Feel,” to the hardworking musicians, even (a little tiredly, from a cherry picker) to director Kenny Ortega, people all around me reciprocated loudly and immediately. WE LOVE YOU, TOO!

This was church.

I wonder what effect This Is It will have on non-MJ fans. There were numbers that left me not cold, but un-swooning : “Earth Song” is ponderous and preachy, freighted with its video setpiece, gorgeously produced, of a bulldozed Amazon rainforest. And the video for “They Don’t Care About Us,” with its vast, computer-assisted army of stormtrooperesque dancers, weirdly approaches Leni Riefenstahl territory (what was MJ’s fascination with military emblems, anyway, the epaulets and medals and ten-hut
choreography?).

But even non-Jacksonites, I can’t help but think, would be moved by Michael Jackson’s unassailable dedication (“This is why we rehearse!” he offers gently, several times, to dancers who’ve missed steps or musicians who’ve missed cues), by his uncanny musical instincts, his earnest and evident desire — no, need — to put on a good show, and by his (OK, psychologically dubious) belief that his art could help heal the world (if not himself).

Even more so, it’s pretty impossible not to marvel at the gyroscopic miracle of Michael Jackson’s familiar yet otherworldly body in motion; the fluency and precision of his physical vocabulary still retains the power to drop your goddamn jaw. He was in good voice, too, his high register as ethereal as ever, the growls still ferocious in their way, a stark contrast to Whitney Houston’s recent Oprah appearance, in which her post-magnificent instrument appeared denatured, sanded-down, thwarted.

I can’t pretend to know what Michael Jackson would’ve thought about this rehearsal documentary. And I’ve no idea whether Kenny Ortega or any of the other Jackson associates who will share in the film’s success are worthy people, whether they worried about his health, or if This Is It glosses over the warning signs of MJ’s imminent death. But for a massive congregation that just wants to spend a little more time with him — please, just an hour or so — this is it.
— Sarah Fisch

See Also

Don't Stop 'til you get enough in Film Reviews 11/4/2009

Report this comment On 11/4/2009 12:27:04 AM, Anonymous said:

leave WHITNEY alone ! Shit ! You had to compare and bring up her name without warning just for the purpose of putting her down . You probably wrote about the freakshow that was wacjo jacko right before he died . I say we should appreciate whitney and cherish her for what she brought and continues to bring to the table . Soul , talent and an emotive quality that cannot be denied . Vocally she is not the perfect genius with the otherworldly voice but she still has that power to move people raspy , grity , imperfect and flawed voice and all .Give the woman a break . You impact on the world would not be felt beyond the minute it took me to write this comment .Whitney's contributions will live forever !SHIT leave her alone !I love love love the new album .

Report this comment On 11/4/2009 12:45:42 AM, Anonymous said:

The writer lost all credibility by bringing whitney name in this article....she was , still is and will always be THE VOICE..maybe the writer should look at whitney recent europe live performances of i look to you and million dollar bill..before writine "a stark contrast to Whitney Houston’s recent Oprah appearance, in which her post-magnificent instrument appeared denatured, sanded-down, thwarted"

Report this comment On 11/4/2009 12:46:34 AM, Anonymous said:

Sarah, thank you for this lovely writeup. I've seen this movie and can't seem to get enough of it. I loved Erath Song because of the message he was trying to convey. Michael Jackson's songs won't heal the world, we will. The poeple whom his songs have touched, those men, women and children who look in the mirror abd make that change. Those are his armies of love, the people whom he has helped to change and who will make this world a better place. Not an amry of destructive forces but a force of love that will heal the world. Idealistic maybe but heck, I'm willing to give it a try. Next year is a long time to wait for the DVD. Looks like I'll have to go see the movie a few more times.

Annie

Report this comment On 11/4/2009 12:46:39 AM, Anonymous said:

Pathetic bringing whitney into the review....pathetic...

Report this comment On 11/4/2009 2:03:04 AM, Anonymous said:

FUCK WHITNEY. There, I said it.

Report this comment On 11/4/2009 3:41:25 AM, Anonymous said:

Fuck the writer. If the's being through hell the way Whitney has, he won't dare put here name in his silly article. Besides, Mj is being exploited. The man will be rolling over in his grave seeing all the things they've been doing in his name. I'm sure this stupid writer didn't hv a kind word to say about Mj before he died. Now he's invincible. Hide yourself in shame.

Report this comment On 11/4/2009 8:14:35 AM, Anonymous said:

Why is it pathetic to bring Whitney into the article for comparative purposes? Her voice, by all critical accounts, is NOT of the same quality as it was in her heydey, nor would most expect it to be after what she has admitted herself to have gone through. It's a valid comparison to MJ's still (at the time of filming) top-notch voice.

And to the previous commenter who 1) seems to think the writer is male and 2)commented " I'm sure this stupid writer didn't hv a kind word to say about Mj before he died," (sic all over that) - DID YOU READ THE ARTICLE? The first paragraph clearly mentions the writer's love of MJ. Reading comprehension is clearly not your strong suit. Moron.

Report this comment On 11/4/2009 9:43:20 AM, Anonymous said:

Ok, but at least Whitney knows Propofol is wack.

Report this comment On 11/4/2009 11:19:14 AM, Anonymous said:

If Bobby Brown put Propofol in a crack pipe and handed it to Whitney, she'd smoke it.

Report this comment On 11/4/2009 12:13:15 PM, Anonymous said:

LOL. People getting riled up about Whitney like she was relevant. What about Taylor Dane???

Report this comment On 11/4/2009 12:36:43 PM, Anonymous said:

Don't you dare start on Taylor Dane. She ain't never done nothing to nobody.

Report this comment On 11/4/2009 2:03:05 PM, Anonymous said:

love MJ..movie is incredible..go see it..my favorite songs from the movie are Human Nature and The way you make me feel..I'd go see it a few times but I have to save my money for the DVD..

RIP MJ..I love you!!

Report this comment On 11/4/2009 2:04:55 PM, Anonymous said:

BTW, I like Taylor Dayne..also Whitney..I admire her courage..good luck to her

Report this comment On 11/5/2009 4:45:32 PM, Andrea said:

All your comments are hilarious. Obviously there is some deifying of Ms. Houston going on here. Her character as depicted in 2005's Being Bobby Brown was a train wreck. I couldn't turn away, and I at one time owned my own copy of the Bodyguard. (Love you "The Bodyguard") Her mind was totally fried, and on that show it was shocking to watch. I quote Salon.com in a Sep. 09 review of her character said "In her first televised interview since 2002, Houston proved she’s still probably only a part-time resident of planet Earth... She will never be the bubbly girl who shimmied through 'I Wanna Dance With Somebody' That person is as gone as the era of acid-washed jeans. Houston’s got too much hard living under her diamond-studded belt now, and it’s evident in her strained voice and her not-quite-there demeanor. Anyone with any experience of addiction -- whether it’s cocaine or love -- knows it’s not something that can ever be cured" The more I thought about this, I want to make it apparent that the music she gave us from '85-'95 was earth-shattering, and will stay around for a long long time. This, http://www.youtube.com/watch?v=0WSd6eRUDQ8, on the other hand, makes me alternatively smirk, chuckle, and feel disgusted. It's about the best anti-drug ad campaign i could ever envision. Thank god for the back-up singers, otherwise my eardrums would be ruined by her sandpaper-like vocal cords, and the out-of-breath panting. It seems she couldn't even remember her album was being released the following day. Sigh. Don't do drugs!

Report this comment On 11/10/2009 1:52:31 AM, Anonymous said:

Oof. That clip was hard to watch. Such a shame. MJ, too, of course.


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