Moving Pictures (Or, Fibs of Our Fathers)

By John DeFore on Thu, Oct 26, 2006 at 12:00 am

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To the onlooker and passerby, House of Kenzo may look like some random girls dancing in post-apocalyptic garb on stage, but look and listen a little bit closer and you’re realize that this performance art collective constructs and deconstructs conceptual themes and ideas on whatever stage, house, arena, or gig you see them performing. If you’re not sweating, you’re not learning, sis.
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Perhaps one of the most recurring nightmares from my early childhood had to do with this creepy half octopus/half woman from The Little Mermaid. I can't be the only one who would hide her face behind her fingers during Ursula's slimy performance of "Poor Unfortunate Souls" as she sings in her low register and works her black magic. She lures the sea folk in with her promises, but ultimately tricks her victims and makes them prisoners. That's some sick stuff.
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To the onlooker and passerby, House of Kenzo may look like some random girls dancing in post-apocalyptic garb on stage, but look and listen a little bit closer and you’re realize that this performance art collective constructs and deconstructs conceptual themes and ideas on whatever stage, house, arena, or gig you see them performing. If you’re not sweating, you’re not learning, sis.
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Perhaps one of the most recurring nightmares from my early childhood had to do with this creepy half octopus/half woman from The Little Mermaid. I can't be the only one who would hide her face behind her fingers during Ursula's slimy performance of "Poor Unfortunate Souls" as she sings in her low register and works her black magic. She lures the sea folk in with her promises, but ultimately tricks her victims and makes them prisoners. That's some sick stuff.
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