The Texas Biennial lands in San Antonio with a program exploring race, immigration and activism
By Bryan Rindfuss
Tags: San Antonio, Texas, art, contemporary art, Texas Biennial, Ruby City, McNay Art Museum, San Antonio Museum of Art, SAMA, Ariel René Jackson, JooYoung Choi, Steve Parker, Phillip Pyle II, Ja’Tovia Gary, Donald Moffett, Colby Deal, Evan Garza, Ryan N. Dennis, FotoFest, Houston, Ssilver Street Studios, San Antonio Museum of Art, The Giverny Suite, Meesh, Autumn Knight, Max Fields, In Place of an Index, Abhidnya Ghuge, José Villalobos, Vincent Valdez, Mich Stevenson, Yellowjacket No. 3, The next life of property, Studio at Ruby City, John Gerrard, Filipinx Artists of Houston, Adriana Corral, He Kills Me, activism, human rights, Artpace, Kaneem Smith, Alisha B. Wormsley, There Are Black People in the Future, Texas artists, San Antonio artists, racial justice, social justice, border and immigrant justice, art exhibition, A New Landscape, A Possible Horizon, Rigoberto Luna, Shea Little, Leslie Moody Castro, Big Medium, Rachel Koper, Jon Lawrence, Arturo Palacios, Joseph Phillips, Jana Swec, Cover Story