Remembering Chulas Fronteras, the San Antonio-shot film that introduced the world to conjunto
By Bill Baird
Tags: Music Stories & Interviews, San Antonio, Texas, Chulas Fronteras, documentary, Tejano, Conjunto, music documentary, local history, San Antonio history, Flaco Jimenez, Lydia Mendoza, Les Blank, Chris Strachwitz, Arhoolie Records, Chulas Fronteras, beautiful borders, West Side, tone poem, Hector Saldaña, Texas State Univeresity Wittliff Music Archives, Norteno, Narciso Martínez, Santiago Jimenez Sr. and Jr., Los Alegres de Teran, Los Pinguinos del Norte, Rumel Fuentes, Jose Morante, Salome Gutierrez, Juan Tejeda, border, Texas-Mexico border, Mexican American border, XERB, radio station, regional music, regional styles, Alan Lomax, KCOR, corrido, South Texas border music, Fred Zimmerle, Trios San Antonio, Del Bravo Records, Rudy Guitierrez, Armando Marroquin, Ideal Music, San Antonio Music Publishers, Rio Records, Hymie Wolf, Tejano Roots: San Antonio’s Conjuntos, Genie Wolf, Un Mojado Sin Licencia, puro conjunto, Ramiro Cavaos, Los Donnenos, Rio Grande Valley, Narciso Martínez, El Huracan del Valle, Santiago Almeida, Gladys Porter Zoo, Brownsville, La Alondra de la Frontera, Meadowlark of the Border, Okeh Records, Mal Hombre, Bluebird Records, Chicano, Xicano, Latinx, Soy Chicano, Chicano movement, Mexican American, culture, cultura, racism, Cancion Mixteca, Rio Grande, Strachwitz Frontera Collection, UCLA Chicano Studies Research Center, CSRC, Guillermo Hernandez, Los Tigres del Norte, Jorge Hernandez, Agustín Gurza, Arhoolie Foundation, Del Mero Corazon, narcorridos, Pablo Acosta, Mimi Webb Miller, Cover Story