Art Events This Weekend in San Antonio

Loading...
  • Detail View
  • List View
  • Grid View
2 results

Looking for Langston

Wednesdays-Saturdays, 12-5 p.m. Continues through Aug. 11

,
Although his resume includes writing and directing credits for the award-winning coming-of-age drama Young Soul Rebels (1991) and the blaxploitation documentary BaadAsssss Cinema (2002), British filmmaker and installation artist Isaac Julien is arguably better known for conceptual films presented on multiple screens simultaneously. Seemingly dissected and left for viewers to reassemble with their own eyes, these immersive projects have involved journeys to remote ice caves in Iceland, juxtapositions of Arctic and African landscapes, travels through China and curious collaborations with the likes of Tilda Swinton and James Franco. A co-founder of the Sankofa Film and Video Collective (an organization “dedicated to developing an independent black film culture in the areas of production, exhibition and audience”), Julien made one of his earliest waves with Looking for Langston — a 1989 film billed as “a lyrical exploration — and recreation — of the private world of poet, social activist, novelist, playwright and columnist Langston Hughes (1902-1967) and his fellow black artists and writers who formed the Harlem Renaissance during the 1920s.” In essence a non-linear homage that presents Hughes as a metaphor for the black gay experience, the film has earned cult status and is taught extensively in universities as part of African-American and queer studies programs. Appointed Commander of the Order of the British Empire (CBE) in 2017, Julien was a favorite of late local artist and philanthropist Linda Pace, who acquired more than 50 of his works during her lifetime. In celebration of Looking for Langston’s 30th anniversary, the Linda Pace Foundation’s gallery Studio at Ruby City showcases the 45-minute film as the anchor of a new exhibition of two recently acquired photographs Julien shot during production — Film-Noir Angels and Masquerade No. 3.

Ryan Gander: Ghostwriter Subtext

Thursdays-Saturdays, 3-7 p.m. Continues through Aug. 3
Sala Diaz 517 Stieren St, San Antonio San Antonio


Ryan Gander’s installation “Ghostwriter Subtext” consists of two single channel videos, one shown on a 16:9 projection, and one on a monitor. The projection documents an interview organized by Gander between the curator Hans Ulrich Obrist and the architect Rem Koolhaas being interviewed by an anonymous ghostwriter on the subject of interviewing. Most of the questions put to Obrist and Koolhaas concern their own practice of interviewing artists and architects. The video is edited so that only shots of the participants listening to one another are visible. The spectator never sees anyone speaking during the interview. The monitor displays a subtext rendered in white text on a black background, documenting an internal debate as to the significance of the work, the appropriateness of the subjects and chosen methodologies. There are two voices, one of which refers to himself as “the artist,” although no indication is given as to which speaker is which. It is often unclear which voice we are reading. At times, the conversation offers a commentary on the first video, but it digresses into argument and counter-argument. Indeed, the conversation seems mostly concerned with the failure of the artist’s original intentions with respect to the first film, which is, in essence, an interview about interviewing and the potential erasure of meaning as soon as words are spoken. (972) 900-0047

Calendar

Newsletters

Never miss a beat

Sign Up Now

Subscribe now to get the latest news delivered right to your inbox.

© 2019 San Antonio Current

Website powered by Foundation