Events Tomorrow in San Antonio
Loading...
58 results
GET REEL: Boys Don’t Cry
Thu., June 27, 7 p.m.
Film
During Hilary Swank’s Oscar acceptance speech for her lead performance in 1999’s Boys Don’t Cry, Swank thanked Brandon Teena, the trans man she portrayed in the film who was raped and murdered six years prior to its theatrical release. “His legacy lives on through our movie to remind us to always be ourselves, to follow our hearts, to not conform,” she said. “I pray for the day when we not only accept our differences, but we actually celebrate our diversity.” Sadly, according to the most recent FBI statistics available, hate crimes against LGBTQ individuals increased in the United States during 2017. That’s why raising awareness is such a critical undertaking in the culture war we’re currently fighting in this country. The McNay Art Museum is doing its small part with its free Get Reel summer film series, which this year centers on films about gender identity. Next on the schedule: co-writer and director Kimberly Peirce’s honest and heart-wrenching drama that made Swank a star and swung open doors for other films about the underrepresented trans community to be produced like Transamerica, The Danish Girl and A Fantastic Woman. (210) 824-5368
During Hilary Swank’s Oscar acceptance speech for her lead performance in 1999’s Boys Don’t Cry, Swank thanked Brandon Teena, the trans man she portrayed in the film who was raped and murdered six years prior to its theatrical release. “His legacy lives on through our movie to remind us to always be ourselves, to follow our hearts, to not conform,” she said. “I pray for the day when we not only accept our differences, but we actually celebrate our diversity.” Sadly, according to the most recent FBI statistics available, hate crimes against LGBTQ individuals increased in the United States during 2017. That’s why raising awareness is such a critical undertaking in the culture war we’re currently fighting in this country. The McNay Art Museum is doing its small part with its free Get Reel summer film series, which this year centers on films about gender identity. Next on the schedule: co-writer and director Kimberly Peirce’s honest and heart-wrenching drama that made Swank a star and swung open doors for other films about the underrepresented trans community to be produced like Transamerica, The Danish Girl and A Fantastic Woman. (210) 824-5368
“America on Stage”
Thursdays, 10 a.m.-9 p.m., Wednesdays, Fridays, 10 a.m.-6 p.m., Saturdays, 10 a.m.-5 p.m. and Sundays, 12-5 p.m. Continues through June 30
Art
Arguably one of the most overlooked aspects of the McNay is the the museum’s impressive Tobin Collection of Theatre Arts, which boasts more than 12,00o objects spanning from the 1500s to the present day. Built around a sprawling gift from late collector, philanthropist, theater patron and design enthusiast Robert L.B. Tobin and expanded by curators Linda Hardberger and Jody Blake, the collection encompasses rare books, small-scale models, costume illustrations and stage designs created by modern masters such as Pablo Picasso and Henri Matisse. Organized by Head of Curatorial Affairs René Paul Barilleaux and Curatorial Assistant Timothy Retzloff, the recently opened exhibition “America on Stage” aims to celebrate “the vision of the nation’s 20th- and 21st-century master designers on stages across the U.S. and around the world.” Exploring four key themes — Broadway, Nostalgia, Breaking Tradition, and Social Justice — the show combines maquettes from productions of Cabaret, In the Heights, West Side Story and You’re a Good Man, Charlie Brown; a pop-up theater where guests can view scenes from a conceptual revival of Spring Awakening; and interactive areas that invite museum-goers to “take center stage in a recreated stage set — and even tap dance.” (210) 824-5368
Arguably one of the most overlooked aspects of the McNay is the the museum’s impressive Tobin Collection of Theatre Arts, which boasts more than 12,00o objects spanning from the 1500s to the present day. Built around a sprawling gift from late collector, philanthropist, theater patron and design enthusiast Robert L.B. Tobin and expanded by curators Linda Hardberger and Jody Blake, the collection encompasses rare books, small-scale models, costume illustrations and stage designs created by modern masters such as Pablo Picasso and Henri Matisse. Organized by Head of Curatorial Affairs René Paul Barilleaux and Curatorial Assistant Timothy Retzloff, the recently opened exhibition “America on Stage” aims to celebrate “the vision of the nation’s 20th- and 21st-century master designers on stages across the U.S. and around the world.” Exploring four key themes — Broadway, Nostalgia, Breaking Tradition, and Social Justice — the show combines maquettes from productions of Cabaret, In the Heights, West Side Story and You’re a Good Man, Charlie Brown; a pop-up theater where guests can view scenes from a conceptual revival of Spring Awakening; and interactive areas that invite museum-goers to “take center stage in a recreated stage set — and even tap dance.” (210) 824-5368
Men of Steel, Women of Wonder
Fridays, 10 a.m.-9 p.m., Saturdays, Sundays, 10 a.m.-5 p.m., Tuesdays, 10 a.m.-9 p.m. and Wednesdays, Thursdays, 10 a.m.-5 p.m. Continues through Sept. 1
$12-$20
Art
Evidenced by the global success of recent films such as Black Panther, Avengers: Endgame and Captain Marvel, among many others, the world is still captivated by the concept of superheroes. While less memorable examples might fall within that formulaic realm the New York Times summed up as “mental popcorn, meant to be rapidly consumed and forgotten,” the box office numbers prove we’re still collectively content to sit and watch statuesque freaks of nature fight off evil forces — even when the takeaway is minimal. Long before the schlock of what’s been dubbed “Hollywood’s Comic Book Age,” Superman and Wonder Woman captured imaginations as defenders of humanity fighting injustices amid the backdrops of the Great Depression and WWII. Introduced in 1938 and 1941, respectively, this iconic, spandex-clad pair inspire myriad incarnations in “Men of Steel, Women of Wonder,” an exhibition organized by Crystal Bridges Museum of American Art in Bentonville, Arkansas, and landing at the San Antonio Museum of Art this summer. Although it might conjure visions of comic cons and nerdy fan art, the traveling show digs deep into the cultural significance of both figures — and it isn’t an entirely kid-friendly affair. Curated by Alejo Benedetti, the collection of 70-plus paintings, photographs, videos and installations goes beyond the expected depictions of costumed heroism to explore sexuality, immigration, race, idolatry, desire and the very building blocks that made these characters possible. Spanning from the 1930s to the present day, “Men of Steel, Women of Wonder” builds an interpretive timeline in four thematic sections. Encompassing both the reverent and irreverent, the introductory section The Heroes We Know comprises photographer Siri Kaur’s amusing portraits of celebrity impersonators captured in mundane, contemporary contexts, Peter Saul’s playfully surreal painting Superman Versus the Toilet Duck and a provocative yet nostalgic installation by Jim Shaw, The Issue of My Loins, that showcases — and supersizes — Superman’s crotch. Placing the mythical stars in historical context, Origin Stories is reportedly the germinating seed for the entire exhibition. Here, real-life men of steel and women of wonder are presented in etchings of 1930s-era steel workers building the metropolis, photographs of women welding in the Willow Run bomber plant in the 1940s and Norman Rockwell’s 1943 painting of brawny machinist and feminist icon Rosie the Riveter eating a sandwich as the American flag billows in the background. Contrasting God-like power with traces of vulnerability, Glimpsing Humanity places our heroes in unexpected contexts: an alienated Superman reads the paper amid a barren landscape in Llyn Foulkes’ 1991 painting Where Did I Go Wrong and gets lit in Mike Kelley’s 1999 video Superman Recites Selections from “The Bell Jar” and Other Works by Sylvia Plath. Wonder Woman becomes a religious icon in Valetin Popov’s 2009 painting St. Wonder Woman and gets placed In Exile alongside the Virgin Mary, Aphrodite and others in Mary Beth Edelson’s mixed-media painting from 1989. Timely and provocative, the closing section Defender of the Innocent challenges stereotypes of gender and race while importantly reminding that both beloved characters are immigrants (he’s from Krypton, she’s from Themyscira, aka Paradise Island). Sarah Hill addresses the plight of a trans Wonder Woman in the 2014 video They Wonder; late San Antonio artist Mel Casas calls out the lack of diversity in the superhero realm in his painting Humanscape 70 (Comic Whitewash); Superman locks lips with Batman in Rich Simmons’ 2014 mixed-media work Between the Capes; Dulce Pinzón celebrates Mexican immigrants as working-class superheroes in staged photographs; and an installation attributed to the U.S. Department of Illegal Superheroes (ICE DISH) comes complete with a hotline where concerned citizens can report suspicious activity. As host venue, SAMA rises to the heroic occasion with an abundance of complementary programs, including talks with featured artists, weekly gallery talks, workshops, a Superhero Pajama Party (July 26) and outdoor screenings of Black Panther (June 28), Superman: The Movie (July 12), Nacho Libre (July 19), The Incredibles 2 (August 2), Batman (August 6), Wonder Woman (August 9), Birdman (August 16), Lu Over the Wall (August 23) and Superman II (August 30). (210) 978-8100
Evidenced by the global success of recent films such as Black Panther, Avengers: Endgame and Captain Marvel, among many others, the world is still captivated by the concept of superheroes. While less memorable examples might fall within that formulaic realm the New York Times summed up as “mental popcorn, meant to be rapidly consumed and forgotten,” the box office numbers prove we’re still collectively content to sit and watch statuesque freaks of nature fight off evil forces — even when the takeaway is minimal. Long before the schlock of what’s been dubbed “Hollywood’s Comic Book Age,” Superman and Wonder Woman captured imaginations as defenders of humanity fighting injustices amid the backdrops of the Great Depression and WWII. Introduced in 1938 and 1941, respectively, this iconic, spandex-clad pair inspire myriad incarnations in “Men of Steel, Women of Wonder,” an exhibition organized by Crystal Bridges Museum of American Art in Bentonville, Arkansas, and landing at the San Antonio Museum of Art this summer. Although it might conjure visions of comic cons and nerdy fan art, the traveling show digs deep into the cultural significance of both figures — and it isn’t an entirely kid-friendly affair. Curated by Alejo Benedetti, the collection of 70-plus paintings, photographs, videos and installations goes beyond the expected depictions of costumed heroism to explore sexuality, immigration, race, idolatry, desire and the very building blocks that made these characters possible. Spanning from the 1930s to the present day, “Men of Steel, Women of Wonder” builds an interpretive timeline in four thematic sections. Encompassing both the reverent and irreverent, the introductory section The Heroes We Know comprises photographer Siri Kaur’s amusing portraits of celebrity impersonators captured in mundane, contemporary contexts, Peter Saul’s playfully surreal painting Superman Versus the Toilet Duck and a provocative yet nostalgic installation by Jim Shaw, The Issue of My Loins, that showcases — and supersizes — Superman’s crotch. Placing the mythical stars in historical context, Origin Stories is reportedly the germinating seed for the entire exhibition. Here, real-life men of steel and women of wonder are presented in etchings of 1930s-era steel workers building the metropolis, photographs of women welding in the Willow Run bomber plant in the 1940s and Norman Rockwell’s 1943 painting of brawny machinist and feminist icon Rosie the Riveter eating a sandwich as the American flag billows in the background. Contrasting God-like power with traces of vulnerability, Glimpsing Humanity places our heroes in unexpected contexts: an alienated Superman reads the paper amid a barren landscape in Llyn Foulkes’ 1991 painting Where Did I Go Wrong and gets lit in Mike Kelley’s 1999 video Superman Recites Selections from “The Bell Jar” and Other Works by Sylvia Plath. Wonder Woman becomes a religious icon in Valetin Popov’s 2009 painting St. Wonder Woman and gets placed In Exile alongside the Virgin Mary, Aphrodite and others in Mary Beth Edelson’s mixed-media painting from 1989. Timely and provocative, the closing section Defender of the Innocent challenges stereotypes of gender and race while importantly reminding that both beloved characters are immigrants (he’s from Krypton, she’s from Themyscira, aka Paradise Island). Sarah Hill addresses the plight of a trans Wonder Woman in the 2014 video They Wonder; late San Antonio artist Mel Casas calls out the lack of diversity in the superhero realm in his painting Humanscape 70 (Comic Whitewash); Superman locks lips with Batman in Rich Simmons’ 2014 mixed-media work Between the Capes; Dulce Pinzón celebrates Mexican immigrants as working-class superheroes in staged photographs; and an installation attributed to the U.S. Department of Illegal Superheroes (ICE DISH) comes complete with a hotline where concerned citizens can report suspicious activity. As host venue, SAMA rises to the heroic occasion with an abundance of complementary programs, including talks with featured artists, weekly gallery talks, workshops, a Superhero Pajama Party (July 26) and outdoor screenings of Black Panther (June 28), Superman: The Movie (July 12), Nacho Libre (July 19), The Incredibles 2 (August 2), Batman (August 6), Wonder Woman (August 9), Birdman (August 16), Lu Over the Wall (August 23) and Superman II (August 30). (210) 978-8100
The State of Hand Stitch, New Embroidery by Texas Artists
Mondays-Fridays, 10 a.m.-1 p.m. Continues through Aug. 9
Art
"The State of Hand Stitch" is a survey of eleven women artists in Texas working with thread and needle at a time when embroidery is increasingly recognized as a medium of choice by serious artists. This exhibit displays a range of subject matter, scale, approach, and materials, demonstrating the many possibilities of contemporary stitch. (210) 458-4391
"The State of Hand Stitch" is a survey of eleven women artists in Texas working with thread and needle at a time when embroidery is increasingly recognized as a medium of choice by serious artists. This exhibit displays a range of subject matter, scale, approach, and materials, demonstrating the many possibilities of contemporary stitch. (210) 458-4391
"Transcendental Tricentennial: Love Letters to San Anto, the (he)Art of David Zamora Casas"
Mondays-Saturdays, 9 a.m.-5 p.m. and Sundays, 12-5 p.m. Continues through July 28
Art, LGBT, Special Events
Over the last four decades, self-described “artivist” David Zamora Casas has delighted, shocked and intrigued San Antonio audiences with paintings, installations, altars and performance works that essentially present the artist himself as a canvas. Fusing elements of folk and outsider art with nods to the aesthetics of Frida Kahlo and Salvador Dalí, the DIY spirit of rasquachismo, religious iconography and Latinx and LGBTQ* activism, Casas has established something many artists strive for fruitlessly: an instantly recognizable aesthetic that’s distinctly their own. Nicknamed Nuclear Meltdown and dubbed a “clown shaman” by esteemed author and MacArthur Genius Sandra Cisneros, Casas often makes cameos in his own paintings, his fire-engine red lips, devilish goatee and Dalí-esque mustache emerging from surreal tableaus populated by skulls, deities, monkeys and mermaids swimming amid swirling patterns, Mesoamerican symbols and hand-painted text reminiscent of retablos. In the words of Chicano art specialist Tomas Ybarra-Frausto, Casas’ canvases “mix word and image to visualize autobiographical and universal stories of homoerotic love, loss and persistent social concerns including immigration, environmental plunder, gender disparity and the multiple issues facing marginalized individuals and communities.” Billed as an artistic explosion of “folk-baroque manifestations” exploring themes ranging from indigenous history to gender fluidity, Casas’ new solo show “Transcendental Tricentennial” comprises “miles of ribbon, yards of fabric, embellished prints, various on-site assemblages, oil and acrylic paintings on canvas, barbed-wire and bone sculptures, and a Día de los Muertos ofrenda which spills into our collective consciousness.” Made possible by a grant from the National Association of Latino Arts and Cultures (NALAC), the “mega-installation” also involves creative collaborations with the likes of accordion queen Eva Ybarra and video/film producers Laura Varela and Fadela Gacis Castro. As for its slightly unexpected landing at the Institute of Texan Cultures, Casas reminds that the exhibition evokes the ITC’s mission to be “a lesson in diversity [that] shows the uniqueness and beauty of the many cultures that came to Texas.” (210) 458-2300
Over the last four decades, self-described “artivist” David Zamora Casas has delighted, shocked and intrigued San Antonio audiences with paintings, installations, altars and performance works that essentially present the artist himself as a canvas. Fusing elements of folk and outsider art with nods to the aesthetics of Frida Kahlo and Salvador Dalí, the DIY spirit of rasquachismo, religious iconography and Latinx and LGBTQ* activism, Casas has established something many artists strive for fruitlessly: an instantly recognizable aesthetic that’s distinctly their own. Nicknamed Nuclear Meltdown and dubbed a “clown shaman” by esteemed author and MacArthur Genius Sandra Cisneros, Casas often makes cameos in his own paintings, his fire-engine red lips, devilish goatee and Dalí-esque mustache emerging from surreal tableaus populated by skulls, deities, monkeys and mermaids swimming amid swirling patterns, Mesoamerican symbols and hand-painted text reminiscent of retablos. In the words of Chicano art specialist Tomas Ybarra-Frausto, Casas’ canvases “mix word and image to visualize autobiographical and universal stories of homoerotic love, loss and persistent social concerns including immigration, environmental plunder, gender disparity and the multiple issues facing marginalized individuals and communities.” Billed as an artistic explosion of “folk-baroque manifestations” exploring themes ranging from indigenous history to gender fluidity, Casas’ new solo show “Transcendental Tricentennial” comprises “miles of ribbon, yards of fabric, embellished prints, various on-site assemblages, oil and acrylic paintings on canvas, barbed-wire and bone sculptures, and a Día de los Muertos ofrenda which spills into our collective consciousness.” Made possible by a grant from the National Association of Latino Arts and Cultures (NALAC), the “mega-installation” also involves creative collaborations with the likes of accordion queen Eva Ybarra and video/film producers Laura Varela and Fadela Gacis Castro. As for its slightly unexpected landing at the Institute of Texan Cultures, Casas reminds that the exhibition evokes the ITC’s mission to be “a lesson in diversity [that] shows the uniqueness and beauty of the many cultures that came to Texas.” (210) 458-2300
Daniel Rios Rodriguez & Raul Gonzalez
Mondays-Fridays, 10 a.m.-5 p.m. and Saturdays, Sundays, 12-5 p.m. Continues through Aug. 18
Art
With a powerful trio of exhibitions already on view, Artpace gives us two more reasons to visit this spring with the unveiling of new projects by San Antonio-based artists Daniel Rios Rodriguez and Raul Gonzalez. Although Rodriguez and Gonzalez explore wildly different topics and themes, their bright and bold bodies of work find common ground in playful energy, DIY aesthetics and transformations of commonplace materials. A Houston transplant who earned an MFA from UTSA along with grants from the Sustainable Arts Foundation, the Surdna Foundation and the National Association of Latino Arts and Cultures (NALAC), Gonzalez has long been fixated on the concept of work in many forms — construction, manual labor and his dual roles as a “werking artist” and undeniably cool stay-at-home dad. He’s captured the everyday joys of fatherhood in figurative drawings, celebrated his love for Whataburger and the Houston Astros in paintings and installations, enhanced his exhibitions with energetic, movement-based performances and even danced for 4.3 miles — continuously from downtown to the McNay. With a title lifted from a song by bygone Texas hip-hop duo UGK, his “Front and Back, and Side to Side” promises to transform Artpace’s Main Space windows with a “multi-dimensional mural” rendered in cardboard and colored duct tape. (Cue the selfies). A native of Killeen who earned his MFA from Yale and has exhibited in New York, Chicago, Marfa, Ireland and beyond, Rodriguez takes a tactile approach to small-scale “semi-figurative” paintings inspired by personal experiences and the natural world. Frequently using oddly shaped, homemade panels, he paints scenes and patterns in thick, textural layers, adding organic-looking embellishments such as stones, shells and feathers, and finishing the pieces with earthy frames rendered in found bits of wood, rope, wire and hardware accents. Bringing to mind everything from cave drawings and tribal symbology to folk and outsider art, Rodriguez’s work comes to light in “Bruisers,” his first ever solo show in Texas. Nodding to the battle scars we collect while navigating life on Earth, Rodriguez says the exhibition title also speaks to the surfaces of his paintings, many of which “undergo a lot of heavy hitting and burning and throwing across the floor.” During the opening reception, both artists will give short talks about their work and Artpace will also be rolling out a new Third Thursdays series that kicks off with a rooftop screening of shorts curated by the San Antonio Film Festival ($5-$10, 8pm Thu, May 16). (210) 212-4900
With a powerful trio of exhibitions already on view, Artpace gives us two more reasons to visit this spring with the unveiling of new projects by San Antonio-based artists Daniel Rios Rodriguez and Raul Gonzalez. Although Rodriguez and Gonzalez explore wildly different topics and themes, their bright and bold bodies of work find common ground in playful energy, DIY aesthetics and transformations of commonplace materials. A Houston transplant who earned an MFA from UTSA along with grants from the Sustainable Arts Foundation, the Surdna Foundation and the National Association of Latino Arts and Cultures (NALAC), Gonzalez has long been fixated on the concept of work in many forms — construction, manual labor and his dual roles as a “werking artist” and undeniably cool stay-at-home dad. He’s captured the everyday joys of fatherhood in figurative drawings, celebrated his love for Whataburger and the Houston Astros in paintings and installations, enhanced his exhibitions with energetic, movement-based performances and even danced for 4.3 miles — continuously from downtown to the McNay. With a title lifted from a song by bygone Texas hip-hop duo UGK, his “Front and Back, and Side to Side” promises to transform Artpace’s Main Space windows with a “multi-dimensional mural” rendered in cardboard and colored duct tape. (Cue the selfies). A native of Killeen who earned his MFA from Yale and has exhibited in New York, Chicago, Marfa, Ireland and beyond, Rodriguez takes a tactile approach to small-scale “semi-figurative” paintings inspired by personal experiences and the natural world. Frequently using oddly shaped, homemade panels, he paints scenes and patterns in thick, textural layers, adding organic-looking embellishments such as stones, shells and feathers, and finishing the pieces with earthy frames rendered in found bits of wood, rope, wire and hardware accents. Bringing to mind everything from cave drawings and tribal symbology to folk and outsider art, Rodriguez’s work comes to light in “Bruisers,” his first ever solo show in Texas. Nodding to the battle scars we collect while navigating life on Earth, Rodriguez says the exhibition title also speaks to the surfaces of his paintings, many of which “undergo a lot of heavy hitting and burning and throwing across the floor.” During the opening reception, both artists will give short talks about their work and Artpace will also be rolling out a new Third Thursdays series that kicks off with a rooftop screening of shorts curated by the San Antonio Film Festival ($5-$10, 8pm Thu, May 16). (210) 212-4900
Nate Cassie and Constance Lowe: Minding the Gaps
Tuesdays-Saturdays, 11 a.m.-4 p.m. Continues through July 13
Art
Although its title might conjure the sights and sounds of crowded London Underground stations, Ruiz-Healy Art’s new exhibition “Minding the Gaps” is not an artistic exploration of railway safety. Rather than addressing the potentially life-threatening distances between subway platforms and train cars, the gaps to be mindful of here are substantially more conceptual in nature. Blurring the boundaries between figuration and abstraction, form and function, the two-person show examines domesticity, permutation and perception while pairing sculptural works by mixed-media artists Nate Cassie and Constance Lowe. A New Jersey native who earned an MFA from UTSA and has exhibited at Artpace, the McNay and Corcoran Gallery of Art in Washington, D.C., Cassie works between drawing, painting, sculpture, video and digital media. While his previous bodies of work have taken shape in abstract woodblock prints named after flowers, architectural birdhouses and etchings of spindly Texas trees, Cassie’s recent output falls within the realm of functional ceramics. While not immediately clear from their earthy finishes and organic imperfections, his almost ancient-looking jugs, cups and bottles reference hard-to-define “spaces in between” and the “gaps that distance surface from volume, skin and structure, formal and intuitive systems.” Missouri-born Lowe earned an MFA from Western Michigan University, has shown at the Southwest School of Art and the Phoenix Art Museum and, like Cassie, is an alum of Artpace’s International Artist-in-Residence program. Although perhaps better known for geometric abstractions that fuse elements of photography and fiber art, Lowe also pushes her work into a sculptural realm with curious objects that suggest interventions on furniture or household decor. Whether combining calfskin, vinyl, felt, wood, mirrors or hardware, her three-dimensional pieces often draw inspiration from her family’s history of Midwestern farming. As for the “gaps” in question, they reveal themselves in the context of Lowe’s interest in “the abstraction of farmland as seen from the air” — and specifically the painterly photographs of the Earth captured by NASA’s Landsat satellite. (210) 804-2219
Although its title might conjure the sights and sounds of crowded London Underground stations, Ruiz-Healy Art’s new exhibition “Minding the Gaps” is not an artistic exploration of railway safety. Rather than addressing the potentially life-threatening distances between subway platforms and train cars, the gaps to be mindful of here are substantially more conceptual in nature. Blurring the boundaries between figuration and abstraction, form and function, the two-person show examines domesticity, permutation and perception while pairing sculptural works by mixed-media artists Nate Cassie and Constance Lowe. A New Jersey native who earned an MFA from UTSA and has exhibited at Artpace, the McNay and Corcoran Gallery of Art in Washington, D.C., Cassie works between drawing, painting, sculpture, video and digital media. While his previous bodies of work have taken shape in abstract woodblock prints named after flowers, architectural birdhouses and etchings of spindly Texas trees, Cassie’s recent output falls within the realm of functional ceramics. While not immediately clear from their earthy finishes and organic imperfections, his almost ancient-looking jugs, cups and bottles reference hard-to-define “spaces in between” and the “gaps that distance surface from volume, skin and structure, formal and intuitive systems.” Missouri-born Lowe earned an MFA from Western Michigan University, has shown at the Southwest School of Art and the Phoenix Art Museum and, like Cassie, is an alum of Artpace’s International Artist-in-Residence program. Although perhaps better known for geometric abstractions that fuse elements of photography and fiber art, Lowe also pushes her work into a sculptural realm with curious objects that suggest interventions on furniture or household decor. Whether combining calfskin, vinyl, felt, wood, mirrors or hardware, her three-dimensional pieces often draw inspiration from her family’s history of Midwestern farming. As for the “gaps” in question, they reveal themselves in the context of Lowe’s interest in “the abstraction of farmland as seen from the air” — and specifically the painterly photographs of the Earth captured by NASA’s Landsat satellite. (210) 804-2219
Looking for Langston
Wednesdays-Saturdays, 12-5 p.m. Continues through Aug. 11
Film, Art
Although his resume includes writing and directing credits for the award-winning coming-of-age drama Young Soul Rebels (1991) and the blaxploitation documentary BaadAsssss Cinema (2002), British filmmaker and installation artist Isaac Julien is arguably better known for conceptual films presented on multiple screens simultaneously. Seemingly dissected and left for viewers to reassemble with their own eyes, these immersive projects have involved journeys to remote ice caves in Iceland, juxtapositions of Arctic and African landscapes, travels through China and curious collaborations with the likes of Tilda Swinton and James Franco. A co-founder of the Sankofa Film and Video Collective (an organization “dedicated to developing an independent black film culture in the areas of production, exhibition and audience”), Julien made one of his earliest waves with Looking for Langston — a 1989 film billed as “a lyrical exploration — and recreation — of the private world of poet, social activist, novelist, playwright and columnist Langston Hughes (1902-1967) and his fellow black artists and writers who formed the Harlem Renaissance during the 1920s.” In essence a non-linear homage that presents Hughes as a metaphor for the black gay experience, the film has earned cult status and is taught extensively in universities as part of African-American and queer studies programs. Appointed Commander of the Order of the British Empire (CBE) in 2017, Julien was a favorite of late local artist and philanthropist Linda Pace, who acquired more than 50 of his works during her lifetime. In celebration of Looking for Langston’s 30th anniversary, the Linda Pace Foundation’s gallery Studio at Ruby City showcases the 45-minute film as the anchor of a new exhibition of two recently acquired photographs Julien shot during production — Film-Noir Angels and Masquerade No. 3.
Although his resume includes writing and directing credits for the award-winning coming-of-age drama Young Soul Rebels (1991) and the blaxploitation documentary BaadAsssss Cinema (2002), British filmmaker and installation artist Isaac Julien is arguably better known for conceptual films presented on multiple screens simultaneously. Seemingly dissected and left for viewers to reassemble with their own eyes, these immersive projects have involved journeys to remote ice caves in Iceland, juxtapositions of Arctic and African landscapes, travels through China and curious collaborations with the likes of Tilda Swinton and James Franco. A co-founder of the Sankofa Film and Video Collective (an organization “dedicated to developing an independent black film culture in the areas of production, exhibition and audience”), Julien made one of his earliest waves with Looking for Langston — a 1989 film billed as “a lyrical exploration — and recreation — of the private world of poet, social activist, novelist, playwright and columnist Langston Hughes (1902-1967) and his fellow black artists and writers who formed the Harlem Renaissance during the 1920s.” In essence a non-linear homage that presents Hughes as a metaphor for the black gay experience, the film has earned cult status and is taught extensively in universities as part of African-American and queer studies programs. Appointed Commander of the Order of the British Empire (CBE) in 2017, Julien was a favorite of late local artist and philanthropist Linda Pace, who acquired more than 50 of his works during her lifetime. In celebration of Looking for Langston’s 30th anniversary, the Linda Pace Foundation’s gallery Studio at Ruby City showcases the 45-minute film as the anchor of a new exhibition of two recently acquired photographs Julien shot during production — Film-Noir Angels and Masquerade No. 3.
"Bruce Lee Shoes"
Wednesdays-Saturdays, 12-6 p.m. Continues through July 20
Art
Cinnabar’s latest exhibition showcases the work of Emanuel De Sousa, a Portugese-born, London-based artist who puts a poppy spin on portraiture. In addition to nods to iconic martial artist Bruce Lee and his yellow jumpsuits, De Sousa’s latest series of paintings features porcelain dogs, mylar balloons and other objects plucked from “tiny closed universes where absurd, nonsensical realities make sense.” (210) 557-6073 (FAX); (210)
Cinnabar’s latest exhibition showcases the work of Emanuel De Sousa, a Portugese-born, London-based artist who puts a poppy spin on portraiture. In addition to nods to iconic martial artist Bruce Lee and his yellow jumpsuits, De Sousa’s latest series of paintings features porcelain dogs, mylar balloons and other objects plucked from “tiny closed universes where absurd, nonsensical realities make sense.” (210) 557-6073 (FAX); (210)
Sink, Florida, Sink
Thursdays-Saturdays, 7:30 p.m. and Sundays, 2 p.m. Continues through June 30
$10-$35
Theater
A new play has risen from the depths and washed ashore at The Public Theater. As part of The Public’s Fresh Ink program, Shannon Jarrell-Ivey directs the world premiere of David Kimple’s near-future, semi-apocalyptic drama Sink, Florida, Sink. In the face of a 12th successive hurricane (climate change much?), Violet (Alyx Irene Gonzales), Sebastian (Ivan A. Ortega) and the other remaining residents of coastal hamlet Cocoa Beach must fight to keep their heads above water in more ways than one. While doing everything they can to keep their home afloat, Violet and Sebastian must confront a whole other storm when a mysterious stranger from their past reappears in town. Truly, in Cocoa Beach, it’s not just the hurricane-force winds you have to weather. (210) 733-7258
A new play has risen from the depths and washed ashore at The Public Theater. As part of The Public’s Fresh Ink program, Shannon Jarrell-Ivey directs the world premiere of David Kimple’s near-future, semi-apocalyptic drama Sink, Florida, Sink. In the face of a 12th successive hurricane (climate change much?), Violet (Alyx Irene Gonzales), Sebastian (Ivan A. Ortega) and the other remaining residents of coastal hamlet Cocoa Beach must fight to keep their heads above water in more ways than one. While doing everything they can to keep their home afloat, Violet and Sebastian must confront a whole other storm when a mysterious stranger from their past reappears in town. Truly, in Cocoa Beach, it’s not just the hurricane-force winds you have to weather. (210) 733-7258
Jaston Williams in Don’t Blame the Car
June 27-29, 8 p.m., June 29-30, 2 p.m. and Sun., June 30, 7 p.m.
$25
Theater
Jaston Williams is making his annual pilgrimage to The Classic Theatre with his latest one-man show: Don’t Blame the Car. Known for the slew of southern characters he’s portrayed in Greater Tuna (with partner Joe Sears) and other one-man shows like A Wolverine Walks Into a Bar…Conversations Over Ice and Clear to Partly Crazy, Williams has parlayed his wildcard humor and cheeky costumes (notably including the chicken getup he donned for I’m Not Lying) into a long-running career as an actor, comedian and writer. For Don’t Blame the Car, Williams delves into the follies of his teenage years, centered on his parents’ attempts to teach him to drive despite the fact that at 4’11” he could barely see over the steering wheel. Come for the vehicular humor, and stay to finally learn why Williams carries a “lifelong grudge against potatoes,” plus much more. (210) 589-8450
Jaston Williams is making his annual pilgrimage to The Classic Theatre with his latest one-man show: Don’t Blame the Car. Known for the slew of southern characters he’s portrayed in Greater Tuna (with partner Joe Sears) and other one-man shows like A Wolverine Walks Into a Bar…Conversations Over Ice and Clear to Partly Crazy, Williams has parlayed his wildcard humor and cheeky costumes (notably including the chicken getup he donned for I’m Not Lying) into a long-running career as an actor, comedian and writer. For Don’t Blame the Car, Williams delves into the follies of his teenage years, centered on his parents’ attempts to teach him to drive despite the fact that at 4’11” he could barely see over the steering wheel. Come for the vehicular humor, and stay to finally learn why Williams carries a “lifelong grudge against potatoes,” plus much more. (210) 589-8450
Key Party
Thursdays, 8-9 p.m.
Free
Comedy
Bexar Stage hosts a completely free and improvised BYOB show in which performers choose keys from a bowl and invite audience members on stage to share an honest conversation with a fluid ensemble. Guests can enjoy free beer samples courtesy of Alamo Beer. (312) 971-7252
Bexar Stage hosts a completely free and improvised BYOB show in which performers choose keys from a bowl and invite audience members on stage to share an honest conversation with a fluid ensemble. Guests can enjoy free beer samples courtesy of Alamo Beer. (312) 971-7252
Go’Shen Point BBQ Food Truck at Hyatt Regency San Antonio
Thu., June 27, 4 p.m.-12 a.m.
Dining
@ Hyatt Regency San Antonio, 123 Losoya Street, San Antonio, Texas, 78205
The Go’Shen Point BBQ food truck will be stationed at Hyatt Regency San Antonio’s front drive on Thursday, June 27. It will be serving traditional southern-style BBQ between 4 p.m. and midnight.
@ Hyatt Regency San Antonio, 123 Losoya Street, San Antonio, Texas, 78205
The Go’Shen Point BBQ food truck will be stationed at Hyatt Regency San Antonio’s front drive on Thursday, June 27. It will be serving traditional southern-style BBQ between 4 p.m. and midnight.
Burger Bash - Second Annual
Thu., June 27, 4:30-7:30 p.m.
Free
Dining, Benefits, Free
@ MacArthur Park, 1611 NE Interstate 410 Loop, San Antonio, TX 78217
NAWIC San Antonio invites you to enjoy free burgers to support the NAWIC scholarship fund. Everyone is welcome. There will be a best tasting burger contest, a people's choice award and raffle prizes. The event is located at MacArthur Park Pavilion 4 near 410 and Nacogdoches. (210) 572-1378
@ MacArthur Park, 1611 NE Interstate 410 Loop, San Antonio, TX 78217
NAWIC San Antonio invites you to enjoy free burgers to support the NAWIC scholarship fund. Everyone is welcome. There will be a best tasting burger contest, a people's choice award and raffle prizes. The event is located at MacArthur Park Pavilion 4 near 410 and Nacogdoches. (210) 572-1378
Big Bend on the Rocks
Thu., June 27, 6-8 p.m.
$25
Benefits
Join Cherrity Bar's Big Bend on the Rocks event, a cocktail event celebrating Big Bend National Park. The event will have live music, cocktails from Dorcol Distilling and more at this family and pet friendly location. First 50 registrants get a free rocks glass and appetizers. (512) 529-1149
Join Cherrity Bar's Big Bend on the Rocks event, a cocktail event celebrating Big Bend National Park. The event will have live music, cocktails from Dorcol Distilling and more at this family and pet friendly location. First 50 registrants get a free rocks glass and appetizers. (512) 529-1149
Rose Wine Tasting!
Thu., June 27, 6-8 p.m.
$30
Special Events
@ Meadow Neighborhood Eatery, 555 W. Bitters Rd, San Antonio, TX 78216
Enjoy a rose wine tasting with paired snacks by chef PJ Edwards on the patio at Meadow Neighborhood Eatery and Bar! The entry fee is $30 per person and you must be 21+. (210) 481-4214
@ Meadow Neighborhood Eatery, 555 W. Bitters Rd, San Antonio, TX 78216
Enjoy a rose wine tasting with paired snacks by chef PJ Edwards on the patio at Meadow Neighborhood Eatery and Bar! The entry fee is $30 per person and you must be 21+. (210) 481-4214
Zach Carney Performs at Hyatt Regency San Antonio's Q Bar
Thu., June 27, 6-9 p.m.
Live Music
@ Q Bar at Hyatt Regency San Antonio, 123 Losoya Street, San Antonio, Texas, 78205
Singer and guitarist Zach Carney will perform at Hyatt Regency San Antonio's Q bar on Thursday, June 27 6pm-9pm. Carney's performances include an eclectic mix of Americana, pop, jazz and top 40 hits.
@ Q Bar at Hyatt Regency San Antonio, 123 Losoya Street, San Antonio, Texas, 78205
Singer and guitarist Zach Carney will perform at Hyatt Regency San Antonio's Q bar on Thursday, June 27 6pm-9pm. Carney's performances include an eclectic mix of Americana, pop, jazz and top 40 hits.
Boys Don't Cry
Thu., June 27, 7-9 p.m.
Film
Director Kimberly Peirce’s biographical film dramatizes the real-life story of trans man Brandon Teena, portrayed by Hilary Swank, and his girlfriend Lana Tisdel. Like many trans individuals, Brandon fell victim to a hate crime after being outed. For her role in 'Boys Don't Cry,' Swank won an Academy Award for Best Actress. (210) 824-5368
Director Kimberly Peirce’s biographical film dramatizes the real-life story of trans man Brandon Teena, portrayed by Hilary Swank, and his girlfriend Lana Tisdel. Like many trans individuals, Brandon fell victim to a hate crime after being outed. For her role in 'Boys Don't Cry,' Swank won an Academy Award for Best Actress. (210) 824-5368
Krause’s Cafe Presents Blue Water Highway
Thu., June 27, 8-11 p.m.
$18-$20
Live Music
Join Krause’s Cafe for a performance by Blue Water Highway. Natives of San Marcos, Texas, this band’s sound has been described as refreshing and harmonic. Tickets are $18 in advance and $20 at the door. (830) 625-2807
Join Krause’s Cafe for a performance by Blue Water Highway. Natives of San Marcos, Texas, this band’s sound has been described as refreshing and harmonic. Tickets are $18 in advance and $20 at the door. (830) 625-2807
Miss Catherine Denise with Cecil Yancey
Thu., June 27, 9-11:45 p.m.
Live Music
It's a summer evening of smokin' hot blues with 2-time Texas Blues Hall of Fame Inductee Miss Catherine Denise with Cecil Yancey, aka Professor Underfunk at Lion & Rose! (210) 798-5466
It's a summer evening of smokin' hot blues with 2-time Texas Blues Hall of Fame Inductee Miss Catherine Denise with Cecil Yancey, aka Professor Underfunk at Lion & Rose! (210) 798-5466
Algo Caliente
Thu., June 27, 10 p.m.-2 a.m.
Free
Live Music, DJs, Special Events
@ Element ultra lounge, 1581 Bandera rd San Antonio 78228
The show will be held at the club Element Thursday June 27th. Sam Sage And DJ La Moon will be performing their hit song “Algo Sexual” which is available now on all platforms. There will also be performances by Ayo Tamz and DJ Suxxy Puxxy. Brought to you by KAMM Entertainment and Estudios 1070. (254) 350-8189
@ Element ultra lounge, 1581 Bandera rd San Antonio 78228
The show will be held at the club Element Thursday June 27th. Sam Sage And DJ La Moon will be performing their hit song “Algo Sexual” which is available now on all platforms. There will also be performances by Ayo Tamz and DJ Suxxy Puxxy. Brought to you by KAMM Entertainment and Estudios 1070. (254) 350-8189
Pride Weekend at The Bonham Exchange
Thu., June 27, 8 p.m.-2 a.m., Fri., June 28, 8 p.m.-3 a.m., Sat., June 29, 8 p.m.-3 a.m. and Sun., June 30, 3-7 & 8 p.m.-2 a.m.
LGBT
Join in at The Bonham Exchange for Pride Weekend! Thursday's Pride Kickoff features $1 Drinks all night long and no Cover for 21+. The Friday Night Dance Party and Hot Chest Contest has no cover for 21+ if you know the secret password! 21+ get in free until 10pm during the Saturday Night Takeover and Sunday Funday is the Trash Disco Day Party: Pride Edition, with doors opening at 3pm for a Hangover Market until 7pm followed by the Bonham Babes Drag Show at midnight. (210) 271-3811
Join in at The Bonham Exchange for Pride Weekend! Thursday's Pride Kickoff features $1 Drinks all night long and no Cover for 21+. The Friday Night Dance Party and Hot Chest Contest has no cover for 21+ if you know the secret password! 21+ get in free until 10pm during the Saturday Night Takeover and Sunday Funday is the Trash Disco Day Party: Pride Edition, with doors opening at 3pm for a Hangover Market until 7pm followed by the Bonham Babes Drag Show at midnight. (210) 271-3811
Beer Pong Tournament
Last Thursday of every month, 9:30-11:30 p.m.
Special Events
The Hangar's beer pong tournament is held on the last Thursday of each month. Registration kicks off at 9:30pm and the tournament begins at 10pm. (210) 824-2700
The Hangar's beer pong tournament is held on the last Thursday of each month. Registration kicks off at 9:30pm and the tournament begins at 10pm. (210) 824-2700
Harlequin OutStander Awards Call for Nominees & Feel Good Day
Through July 31, 12 a.m.-11:45 p.m. and Sat., Oct. 5, 10 a.m.-6 p.m.
Talks Plus, Special Events
Harlequin OutStander Awards nominees are sought for the following categories: Person of Positivity (those showing resilience, faith, optimism, overcoming challenges), Harlequin Hometown Hero (women serving and protecting with bravery, inspiring courage and commitment to the collective good), Community Catalyst (advocates, volunteers, contributors who affect positive change for populations at risk or in need), Cultural Champion (those committed to making arts/literacy programs accessible for all), and Millennial Groundbreaker (making waves through philanthropic or entrepreneurial efforts or their active citizenship). Nominate someone at: www.celebratefeelgood.com. San Antonio winners will be honored on Feel Good Day, October 5. Nominations are free and tickets for the event are $199. (416) 840-2732
Harlequin OutStander Awards nominees are sought for the following categories: Person of Positivity (those showing resilience, faith, optimism, overcoming challenges), Harlequin Hometown Hero (women serving and protecting with bravery, inspiring courage and commitment to the collective good), Community Catalyst (advocates, volunteers, contributors who affect positive change for populations at risk or in need), Cultural Champion (those committed to making arts/literacy programs accessible for all), and Millennial Groundbreaker (making waves through philanthropic or entrepreneurial efforts or their active citizenship). Nominate someone at: www.celebratefeelgood.com. San Antonio winners will be honored on Feel Good Day, October 5. Nominations are free and tickets for the event are $199. (416) 840-2732
Blastoff Fireworks Open June 24th- July 4th
Through July 4, 10 a.m.-12 p.m.
Free
@ Blastoff Fireworks, 19145 Bandera Rd.
Cutting edge fireworks brought to you from Blast who comes from a distant pyro galaxy. She has conjured only the best for her earthlings with over 400 different fireworks! Her minions will present to you their best wares. On July 4th, from 11 AM - 3 PM, there will be free face painting by Brie Hopkins. (210) 414-0394
@ Blastoff Fireworks, 19145 Bandera Rd.
Cutting edge fireworks brought to you from Blast who comes from a distant pyro galaxy. She has conjured only the best for her earthlings with over 400 different fireworks! Her minions will present to you their best wares. On July 4th, from 11 AM - 3 PM, there will be free face painting by Brie Hopkins. (210) 414-0394
Summer Doesn't End at Main Event Entertainment!
Through Aug. 2, 10 a.m.-11 p.m.
Special Events
Looking for things to do this summer? Looking for something FUN? It’s time to level up with the Main Event Summer Season Pass, where you can enjoy the full extent of summer FUN! The Endless Summer Season Pass lets guests enjoy all-you-can-play activities – bowling, billiards, laser tag and gravity ropes – and exclusive discounts, all day, every day from Memorial Day weekend through Labor Day for only $60 per guest. It pays for itself in as few as three visits! (*offer available at both San Antonio and Memphis centers). (210) 521-8000
Looking for things to do this summer? Looking for something FUN? It’s time to level up with the Main Event Summer Season Pass, where you can enjoy the full extent of summer FUN! The Endless Summer Season Pass lets guests enjoy all-you-can-play activities – bowling, billiards, laser tag and gravity ropes – and exclusive discounts, all day, every day from Memorial Day weekend through Labor Day for only $60 per guest. It pays for itself in as few as three visits! (*offer available at both San Antonio and Memphis centers). (210) 521-8000
Pizza a la Valeria
Wednesdays-Saturdays, 12-9 p.m. Continues through Sept. 4
Dining, Special Events
Dine at Valeria every Wednesday through Saturday to indulge in a delicious variety of classic wood-fired pizzas. All pizzas are hand stretched to approximately 12 inches, making them a perfect meal for one or delicious appetizer for the whole family. (830) 331-1393
Dine at Valeria every Wednesday through Saturday to indulge in a delicious variety of classic wood-fired pizzas. All pizzas are hand stretched to approximately 12 inches, making them a perfect meal for one or delicious appetizer for the whole family. (830) 331-1393
Monthly Cultural Dance Workshops
Mondays-Sundays. Continues through Dec. 21
$10
Dance, Free, Benefits
Join a cultural dance workshop and be a part of the diversity Project SMASH offers. Ranging from the styles of Afro-Beats to belly dance and others in between, Smash Dance's instructors will take you on a dancing journey around the world. Donation proceeds allow Project SMASH to continue offering dance scholarships to members of the community who could otherwise not afford classes. Project SMASH also gives back to the community by partnering with other local, non-profit organizations to provide dance fitness services at their facilities. (210) 201-2873
Join a cultural dance workshop and be a part of the diversity Project SMASH offers. Ranging from the styles of Afro-Beats to belly dance and others in between, Smash Dance's instructors will take you on a dancing journey around the world. Donation proceeds allow Project SMASH to continue offering dance scholarships to members of the community who could otherwise not afford classes. Project SMASH also gives back to the community by partnering with other local, non-profit organizations to provide dance fitness services at their facilities. (210) 201-2873
Going Places
Mondays-Sundays. Continues through Sept. 8
$14
Kids
The DoSeum’s summer exhibition, Going Places, kids can explore how we drive, float, glide, and zoom. This Stem experience will immerse visitors into the science of getting around over land, sea, air and space. With 17 play-centered exhibits, they will encounter concepts like velocity, gravity, buoyancy, aerodynamics, energy efficiency, space science, carbon footprint and design. (210) 212-4453
The DoSeum’s summer exhibition, Going Places, kids can explore how we drive, float, glide, and zoom. This Stem experience will immerse visitors into the science of getting around over land, sea, air and space. With 17 play-centered exhibits, they will encounter concepts like velocity, gravity, buoyancy, aerodynamics, energy efficiency, space science, carbon footprint and design. (210) 212-4453
Swing Kids Summer Dance Camp
Through June 28
$190
Dance
Join the American Legion for excitement, fun and learning social skills. Mornings are for ages 9-13 from 9am-12:30pm and afternoons ages 14-18 from 1pm-4:30pm. There are teachers with over 25 years experience and credentials with Rob van Haaren. There will be 17 hours of swing dance lessons with a dj, live band dance and much more. Included in event is a swing t-shirt along with some scholarships opportunities with sponsorship from Swing Junction, Alamo City Swing Revival and the American Legion Alamo Post #2 in San Antonio. 512.393.1622
Join the American Legion for excitement, fun and learning social skills. Mornings are for ages 9-13 from 9am-12:30pm and afternoons ages 14-18 from 1pm-4:30pm. There are teachers with over 25 years experience and credentials with Rob van Haaren. There will be 17 hours of swing dance lessons with a dj, live band dance and much more. Included in event is a swing t-shirt along with some scholarships opportunities with sponsorship from Swing Junction, Alamo City Swing Revival and the American Legion Alamo Post #2 in San Antonio. 512.393.1622
Newest Slideshows
-
News
These Adoptable San Antonio Dogs are the Companions You’ve Been Looking For
Dogs are man's best friend, especially when said dog is adopted from the Animal Defense League. Here are
-
Arts
Sexy Scenes from Pastie Pops' Annual Big Gay Burlesque Show
Hosted by Camille Toe, this annual offering is a solid way to celebrate Pride and just have a good time.
-
Arts
20 Beautiful San Antonio Hotel Pools You Totally Shouldn’t Sneak Into
As we all know, not all pools are created equal– some have luxurious cabanas, some have massive waterfalls and some
-
Arts
San Antonio Choreographer Performs Solo Dance In Honor of Summer Solstice
In honor of the summer solstice on Friday, June 21, local choreographer and dancer Catherine Cisneros put on a solo
Most Popular
-
Viral Video Shows San Antonio Men Getting Back Confiscated Booze While Floating Comal River Read More
-
Former Spur Danny Green Says It's a 'Hard No' for the Toronto Raptors Visiting the White House Following Championship Read More
-
Man Who Threatened to Jump Off San Antonio Highway Killed in Officer-Involved Shooting Read More
-
Don't Cry For Me San Antonio: Nina Diaz Plays Hometown Show This Thursday Read More
-
City Council Passes San Antonio's First Homestead Tax Exemption Read More
