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Dead reckoning There's a particularly tough kind of creative pressure involved when everyone expects your next work to be the one that delivers - to represent your artistic coming-of-age. Artistic inspiration is inevitably elusive, but among critics and A&R reps, it's often treated as something that can be planned and anticipated. Coming off the great promise of 2002's Interscope debut Sources Tags and Codes, and the following year's stopgap EP The Secret of Elena's Tomb, Austin's punk powerhouse And You Will Know Us By The Trail of Dead confronts such pressures with its latest release, deciding to throw caution out the back window while speeding down the freeway's HOV lane. Widely regarded as the group's "art-rock" move, Worlds Apart simply confirms what's been obvious for a while, that this quintet chafed at the constraints of being regarded as a Southwestern answer to Sonic Youth. Even on this album's bleakest tunes - and it's a pretty relentlessly bleak exploration of America's psychic underbelly - you sense the exhilaration of a dynamic band liberating its own imagination.
The musical range of the album is impressive, but what's amazing is that the group can pull off its ventures into piano balladry ("The Summer of '91"), violin-driven folk waltz ("To Russia My Homeland"), and Dark Side of the Moon-like grandeur ("All White") without breaking a sweat. Even when Trail of Dead's hopelessness gets oppressive, its ability to rock the most unwieldy time signatures and luxuriant soundscapes makes this a giddy ride.
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