Thrown to the Wolves: Mowgli is a Darker But Ultimately Irrelevant Adaptation of The Jungle Book  

click to enlarge COURTESY OF NETFLIX
  • Courtesy of Netflix

Although Warner Bros. waited patiently for two years to release Mowgli: Legend of the Jungle, so that it wouldn’t have to compete with Walt Disney’s highly enjoyable 2016 live-action take on The Jungle Book, the subsequent fantasy adventure based on English author Rudyard Kipling’s collection of stories feels needlessly glum and irrelevant.

The narrative framework is basically the same. “Mancub” Mowgli (Rohan Chand) is raised by wolves and must find his place in the pack before tiger villain Shere Khan (Benedict Cumberbatch) makes a meal out of him.

It’s obvious actor-turned-filmmaker Andy Serkis (Breathe) is working from a darker script than director Jon Favreau did during production of his 2016 movie. Favreau’s film was closer in tone to the original 1967 Disney animation, but Serkis seems more concerned with providing Mowgli an ominous atmosphere than he does with building on the classic tale’s message of friendship and zest for life.

Even when Serkis and first-time screenwriter Callie Kloves try to spin the story in their own direction, the decision to stray away from a kid-friendly movie poses some problems. Primarily, who is Mowgli’s intended audience? Now that Netflix has bought the rights, one might assume the answer is everybody with access to a Netflix account, but Mowgli is too cruel for kindergarteners and, at best, a curiosity for adults who will probably just end up comparing it to superior versions.

If you do decide to plop the little ones in front of the screen, know that Mowgli isn’t a musical, so there are no new renditions of “Bare Necessities” or “I Wannaccc Be Like You.” In fact, King Louie, who Christopher Walken voiced phenomenally in Favreau’s contribution, is completely cut out of this newest adaptation. Baloo is still included, although he’s more of a drill sergeant than a happy-go-lucky, honey-smacking bear. And main antagonist Shere Khan is designed to look like a devil-cat who at one point in the film describes tasting the blood of Mowgli’s mother.

Mowgli also shows its title character living among other humans when he is banished from the jungle. He meets a hunter (Matthew Rhys) contracted to kill Shere Kahn and a young woman (Freida Pinto) who cares for him during his stay. Neither of these storylines offer any emotional impact to the film, and the fact that Mowgli can speak to the animals in the jungle but not to the villagers makes about as much sense as picking a prickly pear by the paw.

Mowgli: Legend of the Jungle is available on Netflix December 7.

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