For someone so musically addicted to re-introductions, Joss Stone is pretty damn bad at them. Since her Miami-assisted breakthrough in 2003, Stone has tried the same feat time and again with diminishing returns: third album Introducing Joss Stone threw Betty Wright under a diva-sized bus; Colour Me Free! was a celebration of the end of […]

Best of San Antonio Nominations are Now Live

Justin Strout

Joss Stone: 'The Soul Sessions Vol. 2'

Michelle Williams leaves everyone else, even the film itself, in her dust as Marilyn Monroe

Film Review: Like Crazy

Scorsese’s first children’s adventure comes from his own inner child

Johnny Depp delivers a tame origin story for a gonzo legend

Margin Call elevates financial crisis drama above the bluster

The director of Independence Day is a natural fit for Elizabethan intrigue

Critic’s Diss: Restless

A powerful performance by a teen actress lifts this morality tale above its station

Paul Rudd indie comedy won’t leave well enough alone

Ten ways to stay busy until Mad Men returns

‘Super Size Me’ director bottoms out with non-doc about product placement

Sock-wielding Gibson shows restorative power of acting in ‘The Beaver’

The really red shoes

What the feh?

The magic homo

Beyond the cape