
System of a Down built a grassroots following in Southern California with a three-song demo that was being passed around before the band signed with Columbia Records and earned a spot on the 1998 Ozzfest Tour. Some say System of a Down came down a smooth path paved by a plethora of metal bands incorporating hip-hop into their music. But System of a Down has much more to offer than the archetypal, mindlessly angry nu-metal band. This group caters to those left wondering what happened to music that creates a full-blown experience and demands a reaction from listeners.
| System of a Down with The Mars Volta 7pm SBC Center |
On Mesmerize, writer/singer Serj Tankian displays the anti-political savvy of a Chuck D or Zach De La Rocha. Guitarist Daron Malakian lays out melodic droning guitar riffs that sucker punch you right into a dark chunky power-chord progression (think Kirk Hammett on Metallica’s “One”) that should make Malakian a household name amongst Metal Edge readers.
Ultimately, System of the Down has drained all of the pop elements out of heavy metal and taken the genre back to a time when its creative titans were angry at something and wanted an outlet to express themselves in their own way within a free society. And, of course, they needed very loud guitars to do it.
– Brandon Ysteboe
This article appears in Aug 10-16, 2005.
