“You lose something fundamental with these so-called running zombies,” said Ford. “When an attacker is moving fast, the scene has no choice but to become an action scene and when you are shooting action, you lose suspense, and suspense is ultimately more powerful.” The movie’s greatest triumph is its cinematography. In The Dead, you don’t see humans running for their life and holing up in some supermarket or grocery store: here, the humans are out in the open, and they have to keep moving and changing stunning scenario after stunning scenario. It is a gorgeous-looking mix of George Romero and Sergio Leone.
The Ford brothers made their name shooting commercials in England, and they know how to show beauty. The Dead has that pristine, epic look of a National Geographic movie; add zombies to the mix, and you’re witnessing something new and horrific. Yet, you won’t be able to take your eyes off the screen. The plot? Who cares! An American soldier is the only survivor of a plane crash, shows up at a beach full of zombies and starts shooting heads. He meets an African soldier who has his own shit to deal with, and they help each other attain their goals, and bla bla bla. Forget about the story and prepare for a trip unlike any other. *** The Dead (R) Dir. and writ. Howard J. Ford, Jonathan Ford; feat. Rob Freeman, Prince David Oseia, David Dontoh (R) Santikos Bijou 4522 Fredericksburg (at Crossroads Mall) (210) 734-4552 Santikos Mayan Palace 14 1918 S.W. Military Drive (210) 923-5531